Sur La Table
Sur La Table
Sur La Table
Kassen-Redesign
Kassen-Redesign
Kassen-Redesign
Kassen-Redesign
Eine Checkout-Seite neu gestalten für ein reibungsloseres und benutzerfreundlicheres Erlebnis.
Eine Checkout-Seite neu gestalten für ein reibungsloseres und benutzerfreundlicheres Erlebnis.
Eine Checkout-Seite neu gestalten für ein reibungsloseres und benutzerfreundlicheres Erlebnis.
Project start:
Project start:
2018
2018
Book Facts
Book Facts
Format of the publication (closed) 205 x 280 mm
Paper: Tatami 130 gr2
112 pages with hardcover
Format of the publication
(closed) 205 x 280 mm
Paper: Tatami 130 gr2
112 pages with hardcover
Team:
Team:
Jacqueline Schöb (graphic)
Jacqueline Schöb (graphic)
Alexandra von Przychowski (curator and project leader)
Alexandra von Przychowski (curator and project leader)
Rainer Wolfsberger (Photographer)
Rainer Wolfsberger (Photographer)
Kösel Media Krugzell (Lithography, Pressure and book-binding)
Kösel Media Krugzell (Lithography, Pressure and book-binding)
A publication guiding visitors through antique Chinese pottery across cultures and dynasties.
A publication guiding visitors through antique Chinese pottery across cultures and dynasties.
A publication guiding visitors through antique Chinese pottery across cultures and dynasties.
A publication guiding visitors through antique Chinese pottery across cultures and dynasties.
A publication guiding visitors through antique Chinese pottery across cultures and dynasties.
Book Design choices
Book Design choices
A publication designed as a guide through the exhibition, combining object descriptions with selected pages providing contextual information. Two primary typefaces were used to structure and emphasize content.
A publication designed as a guide through the exhibition, combining object descriptions with selected pages providing contextual information. Two primary typefaces were used to structure and emphasize content.
A publication designed as a guide through the exhibition, combining object descriptions with selected pages providing contextual information. Two primary typefaces were used to structure and emphasize content.
The primary typeface is Akkurat Std, which also serves as the exhibition font for this collection. Dolly was used for selected, distinctive pages. Object images are presented in the same manner as they are displayed in the exhibition.
The primary typeface is Akkurat Std, which also serves as the exhibition font for this collection. Dolly was used for selected, distinctive pages. Object images are presented in the same manner as they are displayed in the exhibition.
The primary typeface is Akkurat Std, which also serves as the exhibition font for this collection. Dolly was used for selected, distinctive pages. Object images are presented in the same manner as they are displayed in the exhibition.
Thanks For Watching
© Tiziana Bucher 2026. All Rights Reserved
Thanks For Watching
© Tiziana Bucher 2026. All Rights Reserved
Thanks For Watching
© Tiziana Bucher 2026. All Rights Reserved
Thanks For Watching
© Tiziana Bucher 2026. All Rights Reserved
Thanks For Watching
© Tiziana Bucher 2026. All Rights Reserved